Very little needs to be said about this trend-setting 1964 classic: Simply put, A Hard Day’s Night is the finest rock ‘n’ roll comedy ever made. It hit America shortly after the Beatles themselves did, and with the Fab Four as popular as they were, Stateside audiences would’ve been happy just to see and hear John, Paul, George, and Ringo perform such hit songs as “Can’t Buy Me Love,” “I Should Have Known Better,” “And I Love Her,” and the title tune.

But director Richard Lester (A Funny Thing Happened on the Way to the Forum), working from a script by Alun Owen, further delighted moviegoers with his wonderfully offbeat, visually inventive chronicle of a 36-hour period in the group’s hectic life.

He made no attempt to turn the Beatles into actors but encouraged them to give free rein to their naturally zany impulses; the result was a wacky, fast-paced romp with a carefully cultivated air of spontaneity and hokey sight gags reminiscent of silent-era comedies. (Barnes & Noble)

Get the Flash Player to see this player.

The Fab Four from Liverpool–John Lennon, Paul McCartney, George Harrison, and Ringo Starr–in their first movie. Nobody expected A Hard Day’s Night to be much more than a quick exploitation of a passing musical fad, but when the film opened it immediately seduced the world–even the stuffiest critics fell over themselves in praise (highbrow Dwight Macdonald called it “not only a gay, spontaneous, inventive comedy but it is also as good cinema as I have seen for a long time”).

Wisely, screenwriter Alun Owen based his script on the Beatles’ actual celebrity at the time, catching them in the delirious early rush of Beatlemania: eluding rampaging fans, killing time on trains and in hotels, appearing on a TV broadcast. American director Richard Lester, influenced by the freestyle French New Wave and British Goon Show humor, whips up a delightfully upbeat circus of perpetual motion. From the opening scene of the mop tops rushing through a train station mobbed by fans, the movie rarely stops for air.

Some of the songs are straightforwardly presented, but others (”Can’t Buy Me Love,” set to the foursome gamboling around an empty field) soar with ingenuity. Above all, the Beatles express their irresistible personalities: droll, deadpan, infectiously cheeky. (Amazon)