Cultural Barbarians

2016 ,    »  -   12 Comments
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5.94
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Ratings: 5.94/10 from 33 users.
Storyline
Cultural Barbarians

Is art dead, or is its definition merely evolving? In Cultural Barbarians, an intriguing episode of the acclaimed VPRO Backlight series, we witness a collective of modern-day artists as they grapple with this question, and search for means of creative expression that transcend paint on a canvas or a carefully crafted phrase in a book.

Art's ability to reflect our world has been challenged in the face of shortened attention spans and the widening divide between the rich and the poor. The top tier works are often viewed as investments, and not profound expressions meant for display. The super wealthy can purchase a Picasso for tens of millions of dollars only to shutter it within secluded steel vaults. Meanwhile, for the general public, the great works of art throughout history seem less relevant to their daily existence than ever before. Citizens of the world aren't often encouraged to interact with these works or given the tools to uncover personal meaning within them. Can art truly sustain itself in a culture that is increasingly drawn to the flash of celebrity, the artificial facade of glamour and the next disposable trend?

In this face of the conundrum, a new generation of artists is trying a different approach. The architectural collective Assemble Is just one such example featured in the film. In 2015, this group of young artists won the prestigious Turner prize for their plans to refurbish living quarters in an underprivileged district of Liverpool. By moving from the sanctified halls of museum galleries to common everyday living spaces, Assemble has successfully challenged the purpose of art in the modern world.

Additional subjects in the film, including author Alessandro Baricco, philosopher Timothy Morton, and several noted visual artists, express a need to embrace the new digital age, more proactively reflect global ills such as climate change, and work to expand art's relevancy through works of social engagement and activism.

Critics and other detractors will continue to debate whether these efforts are truly representative of creative artistic expression. Regardless, Cultural Barbarians makes it clear that art is alive and well, and that it’s still capable of changing the world.

Directed by: Alexander Oey

12 Comments / User Reviews

  1. ..........

    No subs?

  2. Someone

    You can press the CC button on the player

  3. Janet

    yes, want subs, please!!!!!

  4. lib

    i dont speak Italian. I would appreciate subtitles!!

  5. GunnarInLA

    "...In this face of the conundrum..."
    ...beautiful!
    ...artist have betrayed society as a whole these last fifteen, twenty years, while political criminality has flourished and advanced, providing any number of talented image makers with endless opportunities to expose and reflect and indict the monsters that bring death and destruction to the innocent and defenseless...no...the creatives has JOINED with the agents of depravity, giving aid and comfort to their satanic quest for global subjugation...
    ...no...I wont watch this documentary...5.84 from 19 users is reason enough not to...

  6. lib

    I would appreciate subtitles!!

  7. lib

    GunnarInLA , i watched to the end despite all the languages i did not understand. Later artists were making environmentally and politically conscious works - as was the first artist - they did not discuss funding - at least not in the English speaking segments. The work of artists engaged in pointing out "political criminality... death and destruction to the innocent and defenceless" is important, valid, exciting, inspiring and interesting.

  8. bungabunga

    wow gunnar in LA you really get it. keep spreading the knowledge my friend.

  9. Cap'n Carny

    Art is evolving to challenge the status quo? I think perhaps this acting within the failed capitalist economic paradigm could eventually cause the whole economic system to reform, prosecute, punish, and or imprison the criminal banksters inability to comprehend value. The immediate superficial beauty of attractive and or useful art might be the tipping point, the lynch pin, the keystone that takes the illusion of our economic paradigm down. They cultural barbarianism(the aforementioned superficial art) may be like creating a small cut on the jugular of the banksters' hold on power over us all. We may need to keep our eye on this new art "movement".

  10. Peter Nelson

    As other have pointed out, just click the CC button in the YouTube player for the full translations of the non-English parts.

  11. BrianBruise

    Two thoughts:

    There is barely any examples of the new forms of visual art being touted. Isn't a picture worth a thousand words.

    How would some of Banksy's subversive "graffiti" fit into this discussion?

  12. Mark Gaboury

    So you need capitalism to promote Marxism. And your art is so bad, so without merit, that investing in it is like betting on a horse.

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