Ghosts of Abu Ghraib
Award winning documentary filmmaker Rory Kennedy explores the human and political consequences of one of the most bitter scandals of the war in Iraq in this feature. In the 1960’s, a prison was built in Abu Ghraib, an Iraqi city west of Baghdad, and during the regime of Saddam Hussein it became a center of torture and abuse where political dissidents were subjected to agonizing punishment or death.
Following the United States invasion of Iraq in 2003, the prison was taken over by American military authorities, and was used as a holding facility for prisoners of war and suspected terrorists captured by U.S. forces.
The prison’s reputation as a site of widespread abuse rose again when journalists discovered photographs of Iraqi prisoners being tortured and humiliated in an ugly variety of ways by American soldiers, a scandal which had a major impact on international thinking about the war.
Ghosts of Abu Ghraib offers an in-depth look at the story behind the abuse of Iraqi prisoners, featuring interviews with observers on both sides of the national divide. Ghosts of Abu Ghraib received its world premiere at the 2007. (Barnes & Noble)
What was perhaps the most disgraceful episode in U.S. military history is examined in director Rory Kennedy’s Ghosts of Abu Ghraib. By now there can’t be many folks who aren’t at least somewhat familiar with what went on at that notorious Baghdad prison in 2003, when U.S soldiers abused and mistreated–some would say tortured–Iraqi detainees (every one of whom was eventually released without charges).
Yet while those acts were atrocious and unforgivable, perhaps even more troubling is the philosophy behind them. As Kennedy lays it out, the United States began committing violations of the Geneva Conventions, particularly the ones that prohibit torture, well before the invasion of Iraq and the incarceration of literally thousands of people at the dilapidated Abu Ghraib facility.
Employing the kind of linguistic tap-dancing often used by the Bush administration to justify its actions, then-Secretary of Defense Donald Rumsfeld and others defined their captives not as prisoners of war but as “unlawful combatants,” opening the door for the use of such “extreme techniques” as nudity and sexual humiliation, “stress positions” (such as standing on a rickety box wearing a sensory-deprivation hood), and intimidation by vicious dogs; while some photos of these activities have been widely circulated before, many of the shots we see here are much more explicit and, since they’re in color, considerably more lurid.
As for how and why these affronts to basic human dignity were allowed, it’s tough to find anyone actually willing to take responsibility. The guards who did the deeds, several of whom were interviewed for the documentary, say they were under-trained and far too few in number; their superiors say their pleas for additional support were ignored. (Amazon)



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