In 1914, explorer Ernest Shackleton set out to become the first man to cross the frozen wastes of the Antarctic continent on foot; however, a combination of treacherous conditions, unexpected changes in weather, and simple bad luck left Shackleton and his crew of 28 men stranded in one of the world’s most unforgiving environments for nearly two years.
Based on Vito Russo’s groundbreaking 1981 work of film history, The Celluloid Closet gathers clips from dozens of mainstream Hollywood films to illustrate how the movies have dealt explicitly — and more importantly, implicitly — with gay and lesbian themes. Layered between the clips are interviews with filmmakers whose works have touched on that subject. The
The Canadian documentary Manufacturing Consent: Noam Chomsky and the Media presents a lengthy, detailed look at the political beliefs of celebrated intellectual Noam Chomsky. Casting only passing glances at Chomsky’s groundbreaking work in the field of linguistics and his eventful life, filmmakers Mark Achbar and Peter Witonick instead focus on his activities as a
Four of today’s hottest black comedians headline this Queens of Comedy video special, a follow-up to Spike Lee’s The Original Kings of Comedy film (although Lee does not direct here). Adele Givens, Mo’Nique (from UPN’s The Parkers), Sommore, and Laura Hayes (from BET’s Comic View) present a very provocative adult program with riffs on everything from the size
War may be hell, but it can make for great television, as Ken Burns proves in his masterful 11-hour PBS series chronicling the deadliest war in American military history. The Civil War was a landmark TV event that held record numbers of viewers riveted to their screens and reinvented the documentary form. Taking full advantage of the fact that the Civil War was the first war to
Martin Scorsese’s 1978 capsule history of the Band is mixed with footage of the group’s allegedly last performance (certainly their last performance as a quintet) in this particularly stylish concert film. Scorsese shoots the players and their sundry guests with the same flair and enthusiasm one can see in the later The Color of Money or Goodfellas. He also proves a good interviewer with
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