Noted photographer David LaChapelle makes his feature directorial debut with this documentary on a new facet of street culture in South Central Los Angeles. In 1992, after long-simmering racial tensions in Los Angeles erupted in riots following the verdicts in the Rodney King trial, a man named Tommy Johnson sought to spread a new message in a new way to the city’s African-Americans.

Creating a character called Tommy the Clown, Johnson developed an act that combined hip-hop-flavored comedy and dancing with an anti-gang and anti-violence message. Johnson’s performances became wildly popular in South Central — so much so that at one point, 50 different groups inspired by Johnson’s example were performing in the area. In time, Johnson’s loose-limbed dance style inspired a new wave of hip-hop street dancing called “krumping,” a wildly athletic style in which arms, legs, and bodies fly with a frenzied abandon that moves at almost inhuman speeds.

Rize follows the birth of clown dancing and krumping in South Central, and records how many young people have adopted the dance as a style of competition, offering a safer and healthier alternative to the gang culture that has long dominated Los Angeles. Rize premiered at the 2005… (Barnes & Noble)

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The riveting documentary Rize explores the physically astounding Los Angeles worlds of clowning and krumping–both heightened and spectacular styles of hip-hop dance. With roots in breakdancing and the furious response to the Rodney King beating, clowning was launched by Tommy the Clown, a former drug runner turned children’s-party-clown, with brightly colored jumpsuits and a psychedelic afro wig.

To gather attention, Tommy began to gyrate and writhe in the street; before long, he was not only getting gigs, he’d inspired dozens of other clown groups, all with their own spin on face make-up and Tommy’s dance moves. With a little cross-pollination from stripper dance moves and a good dose of aggression, clowning begat krumping, which resembles a cross between an epileptic seizure and ecstatic possession–what one practitioner calls “ghetto ballet.”

In addition to dancing that will make your eyes pop, Rize interviews dancers like Tight Eyez, La Nina, Lil C, and Miss Prissy, building a portrait of a subculture, culminating in a dance battle between clowns and krumps called BattleZone V. Directed by photographer and music video director David LaChappelle, Rize persuasively portrays these twin dance movements as not only a personal exorcism, but as the effort of a community to escape the corrosive forces of gangs and drugs… (Amazon)